







Klaus Mäkelä
“Here was something truly special: a conductor who revelled in freshly imagining each sound.”
(The Times, 2021)
Chief Conductor & Artistic Advisor: Oslo Philharmonic
Music Director: Orchestre de Paris
Artistic Partner: Concertgebouw Orchestra
Music Director Designate: Chicago Symphony Orchestra
Finnish conductor Klaus Mäkelä has held the position of chief conductor of the Oslo Philharmonic since 2020 and music director of the Orchestre de Paris since September 2021. He assumes the title of chief conductor of the Royal Concertgebouw Orchestra in September 2027 and, in the same season, begins his tenure as Zell Music Director of the Chicago Symphony Orchestra. An exclusive Decca Classics artist, he has recorded two albums featuring Ballets Russes scores by Stravinsky and Debussy with Orchestre de Paris. With the Oslo Philharmonic, he has recorded the complete Sibelius Symphonies, Sibelius’ and Prokofiev’s first Violin Concerto with Janine Jansen and Shostakovich’s Symphonies Nos. 4, 5 and 6.
Shostakovich continues as the composer spotlight in Mäkelä’s fifth season with the Oslo Philharmonic, which opened with performances of Symphony No. 5 at the Salzburg and Berlin Music Festivals. This season he also conducts Shostakovich’s Symphonies Nos. 1, 11 and 15 at home in Oslo, whilst additional program highlights include Andrew Norman’s Play, Anders Hillborg’s new piano concerto MAX with soloist Emanuel Ax, and Sibelius’ Lemminkäinen Suite.
Show More
With a focus on French composers and new works, Mäkelä’s fourth season with the Orchestre de Paris pays tribute to the anniversaries of both Ravel and Boulez and features music by Berlioz, Fauré, Debussy, Poulenc and Messiaen. The season also includes premieres of new commissions: Thierry Escaich’s Lux Aeterna and Charlotte Bray’s A Sky Too Small. In addition to celebrating the 10th anniversary of the opening of the Philharmonie de Paris, the orchestra tours extensively throughout Europe and returns to Asia in June.
Guest conducting engagements in the 2024/25 Season include performances with the London Symphony Orchestra, Cleveland Orchestra and Berliner Philharmoniker. Mäkelä recently made his first appearance with the Vienna Philharmonic in Vienna and on tour. This season he is also a Focus Artist at the Vienna Musikverein and Portrait Artist at the Essen Philharmonie and Brussels Bozar.
As a cellist, Mäkelä partners with members of the Oslo Philharmonic, Orchestre de Paris and Concertgebouw Orchestra for occasional programs, and each summer he performs at the Verbier Festival.
Contacts
Jasper Parrott Executive Chairman HP Group & Associated Companies
worldwide general management
worldwide general management
Season Highlights
Concertgebouw Amsterdam
Show more about Concertgebouw Amsterdam
SEUNG-WON OH: Spiri III: Sheltered Ritual
SOFIA GUBAIDULINA: Offertorium
ROBERT SCHUMANN: Symphony No. 4 in D minor, Op. 120
Concertgebouw Amsterdam
Show more about Concertgebouw Amsterdam
SEUNG-WON OH: Spiri III: Sheltered Ritual
SOFIA GUBAIDULINA: Offertorium
ROBERT SCHUMANN: Symphony No. 4 in D minor, Op. 120
Musikverein Wien
Show more about Musikverein Wien
SEUNG-WON OH: Spiri III: Sheltered Ritual
SOFIA GUBAIDULINA: Offertorium
ROBERT SCHUMANN: Symphony No. 4 in D minor, Op. 120
ARNOLD SCHOENBERG: Verklärte Nacht (string orchestra, 1943 version)
GUSTAV MAHLER: Symphony No. 1 in D major, 'Titan'
Elbphilharmonie Hamburg
Show more about Elbphilharmonie Hamburg
SEUNG-WON OH: Spiri III: Sheltered Ritual
SOFIA GUBAIDULINA: Offertorium
ROBERT SCHUMANN: Symphony No. 4 in D minor, Op. 120
ARNOLD SCHOENBERG: Verklärte Nacht (string orchestra, 1943 version)
GUSTAV MAHLER: Symphony No. 1 in D major, 'Titan'
Show more season highlights
Philharmonie de Paris
Show more about Philharmonie de Paris
JOHANN SEBASTIAN BACH: Mass in B minor, BWV. 232
Concertgebouw Amsterdam
Show more about Concertgebouw Amsterdam
MAURICE RAVEL: Shéhérazade, ouverture de féerie
GUILLAUME CONNESSON: Les belles heures
GUILLAUME CONNESSON: Danses concertantes
BÉLA BARTÓK: The Miraculous Mandarin: Suite
Chicago Symphony Orchestra
Show more about Chicago Symphony Orchestra
GUSTAV MAHLER: Symphony No. 3 in D minor
JOHANNES BRAHMS: Concerto for Piano No. 2 in B-flat major, Op. 83
PIERRE BOULEZ: Initiale pour septuor de cuivres
ANTONIN DVORAK: Symphony No. 7 in D minor, Op. 70
BOZAR
Show more about BOZAR
GUSTAV MAHLER: Symphony No. 1 in D major, 'Titan'
Concertgebouw Amsterdam
Show more about Concertgebouw Amsterdam
ANDERS HILLBORG: Hell Mountain
GUSTAV MAHLER: Symphony No. 1 in D major, 'Titan'
Oslo Konserthus
Show more about Oslo Konserthus
CLAUDE DEBUSSY: Prélude à L’Apres-midi d’un faune
CLAUDE DEBUSSY: Jeux; poème dansé
CHRISTIAN SINDING: Danse Orientale
EDVARD GRIEG: March of the Trolls op. 54 no. 3
IGOR STRAVINSKY: Firebird (complete)
Philharmonie Berlin
Show more about Philharmonie Berlin
WOLFGANG RIHM: Transitus 3
RICHARD STRAUSS: An Alpine Symphony, Op. 64
Verbier Festival & Academy
Show more about Verbier Festival & Academy
SERGEI RACHMANINOV: Isle of the Dead/Die Toteninsel, Op. 29
SERGEI RACHMANINOV: Concerto for Piano No. 4 in G minor, Op. 40
IGOR STRAVINSKY: Firebird (complete)
BÉLA BARTÓK: Concerto for two Pianos and Percussion
JEAN SIBELIUS: Symphony No. 5 in E-flat major, Op. 82
ROBERT SCHUMANN: Piano Quintet in E flat major, Op. 44
ARNOLD SCHOENBERG: Verklärte Nacht, Op.4 (sextet)
Oslo Konserthus
Show more about Oslo Konserthus
IGOR STRAVINSKY: The Rite of Spring
HARRISON BIRTWISTLE: Earth Dances
“Mäkelä and the players fed off each other’s energy to produce a performance that one hopes was as breathtaking for them to play as it was for the audience to hear … The shattering end of the Rite brought the audience instantly to its feet.”
“The Oslo Philharmonic’s stripped-down opera performance (of Bartok’s Duke Bluebeard’s Castle) let the music speak for itself … Mäkelä emphasised the different voices so clearly and distinctly that it was like seeing the score in front of you. Truly brilliant, world-class playing.”
“Mäkelä managed to reveal unsuspected details throughout (Mussorgsky’s Pictures at an Exhibition), with the brilliant orchestra always as his excellent instrument. And when we arrived in amazement at The Great Gate of Kiev, the orchestral floodgates opened at exactly the right time. You felt moved by a performance by a legendary maestro from the past.”
“… Mäkelä’s sure-footed gestures and the relief he gives to details and accents (in Tchaikovsky’s Nutcracker) never lose sight of the wonder of childhood, with its smiles and thrills. Throughout, the musicians of the Orchestre de Paris cultivate a transparency, a shimmer, a delicate breath that seems to draw Tchaikovsky’s score towards French music … and the conductor’s sense of storytelling is matched by his panache.”
“Throughout the evening, the Finnish conductor managed to balance the tension, speed and colours in a meaningful way … Throughout all six movements (of Mahler Symphony No. 3) he showed an iron control, using emphasis and contrasts sparingly so that all his choices really meant something.”
“Makela’s close attention to colouring individual phrases, particularly in the strings, created a beautifully cantabile effect (in Sibelius Symphony no. 7). There was magic, even devilry, in the fast middle part, and scrupulous balance between the sections. Pure refreshment.”
“Klaus Mäkelä’s Sixth by Shostakovich sounds haunting from the first bar of the opening Largo, gripping, intense … All shades of gray are filtered out, the music develops a surprising singularity, an inner glow, awakens associations with nature.
“ … Mäkelä’s Tchaikovsky, while not profound, proved terrific … His style of leadership is both commanding and spontaneous. His imprint is personal.”