






Paavo Järvi
“One rarely experiences such an immediate connection between orchestra and conductor, such an extraordinarily attentive presence on both sides so that with economical means an understanding of the most subtle shades is possible.”
(Wiener Zeitung)
Chief Conductor and Music Director: Tonhalle-Orchester Zürich
Artistic Director: Die Deutsche Kammerphilharmonie Bremen
Artistic Director and Founder: Estonian Festival Orchestra
Artistic Advisor and Founder: Pärnu Music Festival & Järvi Academy
Artistic Advisor: Estonian National Symphony Orchestra
Honorary Conductor: NHK Symphony Orchestra
Conductor Laureate: Frankfurt Radio Symphony Orchestra
Honorary Conductor: Cincinnati Symphony Orchestra
Estonian Grammy Award-winning conductor Paavo Järvi is widely recognised as one of today’s most eminent conductors, enjoying close partnerships with the finest orchestras around the world. He serves as Music Director of the Tonhalle-Orchester Zürich, Artistic Director of The Deutsche Kammerphilharmonie Bremen and as both the founder and Artistic Director of the Estonian Festival Orchestra.
Highlights of Paavo Järvi’s seventh season as Music Director of the Tonhalle-Orchester Zürich include the continuation of their Mahler Symphony Cycle and a tribute to Swiss-French composer Arthur Honneger on the 70th anniversary of his death. Additional spotlights include performances with season focus artists, cellist Sol Gabetta and pianist Kirill Gerstein, as well as a year-long exploration of the music of Thomas Adés, this year’s Creative Chair. Alpha Classics releases Mahler Symphony No.1 in Autumn 2025, coinciding with the start of a three-year guest residency at the Festspielhaus Baden-Baden and a Mahler tour which takes them to the Vienna Musikverein, Cologne and Paris Philharmonies. Additional touring includes appearances at the Gstaad Menhunin Festival and George Enescu Festival in Bucharest, a guest performance at La Scala, Milan and an extensive tour to Japan and South Korea in May 2026.
Now in his third decade as Artistic Director of the Deutsche Kammerphilharmonie Bremen, Paavo Järvi has performed and recorded benchmark performances of the complete orchestral works of Beethoven, Schumann and Brahms on the RCA Red Seal label. Highlights in the 2025/26 season include the final release of the London Haydn symphonies as well as recordings and performances of Schubert’s symphonies at home in Bremen and on tour across Europe.
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Each season concludes with two weeks of performances and conducting masterclasses at the Pärnu Music Festival in Estonia, which Paavo Järvi founded in 2011. The success of both the Festival and its resident ensemble – the Estonian Festival Orchestra – has led to high-profile recordings and tours throughout Europe and Asia. In September 2025 Alpha Classics releases the orchestra’s sixth album entitled Credo, which pays tribute to Arvo Pärt on his 90th birthday. Paavo Järvi then leads the Estonian Festival Orchestra in performances of Pärt’s iconic music, on tour to Tallinn, Zürich, Vienna, and Hamburg, culminating with the orchestra’s USA debut at New York’s Carnegie Hall.
In addition to his permanent positions, Järvi is much in demand as a guest conductor, regularly appearing with the Berliner Philharmoniker, Royal Concertgebouw Orchestra, London Philharmonic and New York Philharmonic. This season, Järvi also conducts the Chicago Symphony Orchestra, Los Angeles Philharmonic, Toronto Symphony, Gewandhaus Orchester, NDR Elbphilharmonie, Philharmonia Orchestra, Luxembourg Philharmonic and Verbier Festival Orchestra. He also continues to enjoy close relationships with many of the orchestras of which he was previously Music Director, including Orchestre de Paris, Frankfurt Radio Symphony and NHK Symphony Orchestra, Tokyo.
Recent accolades include Germany’s 2025 Opus Klassik “Composer of the Year” Award for the Estonian Festival Orchestra’s recording of Jüri Reinvere’s Ship of Fools and an International Classical Music Award for the recording of Bruckner Symphony No.8 with Tonhalle-Orchester Zürich, both on Alpha Classics. With The Deutsche Kammerphilharmonie Bremen, Paavo Järvi won the 2024 Opus Klassik and 2023 Gramophone “Orchestra of the Year “award, as well as the 2019 Rheingau Music Prize and Opus Klassik “Conductor of the Year”. Other prizes and honours include a Grammy Award for his recording of Sibelius’ Cantatas with the Estonian National Symphony Orchestra, Commandeur de L’Ordre des Arts et des Lettres awarded by the French Ministry of Culture. In 2015, Paavo Järvi was also presented with the Sibelius Medal in recognition of his work in bringing the Finnish composer’s music to a wider public and, in 2012, he received the Hindemith Prize for Art and Humanity. As a dedicated supporter of Estonian culture, Paavo Järvi was awarded the Order of the White Star by the President of Estonia in 2013.
HarrisonParrott represents Paavo Järvi for worldwide general management.
Contacts
Jasper Parrott Executive Chairman HP Group & Associated Companies Teodora Masi Associate Director, Artist Management
Teodora Masi Associate Director, Artist Management
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Season Highlights
Shanghai Concert Hall
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IGOR STRAVINSKY: Petrushka ballet (1947 version)
SERGEI PROKOFIEV: Symphony No. 4, Op. 112
Hong Kong Cultural Centre
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ARVO PÄRT: Swansong
SERGEI PROKOFIEV: Concerto for Violin No. 2 in G minor, Op. 63
SERGEI PROKOFIEV: Symphony No. 4, Op. 112
NHK Symphony Orchestra Tokyo
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ARVO PÄRT: Swansong
SERGEI PROKOFIEV: Concerto for Violin No. 2 in G minor, Op. 63
SERGEI PROKOFIEV: Symphony No. 4, Op. 112
HECTOR BERLIOZ: Harold in Italy, Op. 16
IGOR STRAVINSKY: Petrushka ballet (1947 version)
BENJAMIN BRITTEN: Concerto for Piano No. 1, Op. 13
SERGEI PROKOFIEV: Love for three oranges, Symphonic Suite
Royal Concertgebouw Orchestra
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MÄGI ESTER: Poem (Vesper) for Strings (1990)
ARAM KHACHATURIAN: Concerto for Piano
IGOR STRAVINSKY: Petrushka ballet (1947 version)
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Tonhalle-Orchester Zürich
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GIUSEPPE VERDI: Overture from Nabucco
PETERIS VASKS: Concerto for English Horn (1989)
PYOTR ILYICH TCHAIKOVSKY: Symphony No. 3 in D major, Op. 29 (Polish)
JOSEF STRAUSS: Mein Lebenslauf ist Lieb' und Lust, op. 263
WOLFGANG AMADEUS MOZART: Symphony No. 39 in E-flat major, K543
WOLFGANG AMADEUS MOZART: Symphony No. 40 in G minor, K550
WOLFGANG AMADEUS MOZART: Symphony No. 41 in C major, K551 (Jupiter)
ARAM KHACHATURIAN: Concerto for Piano
JEAN SIBELIUS: Symphony No. 1 in E minor, Op. 39
GEORGES BIZET: Carmen Suite
ARAM KHACHATURIAN: Concerto for Piano
ZOLTÁN KODÁLY: Dances of Galanta
EDVARD GRIEG: Peer Gynt: Suite No. 1
ANTONIN DVORAK: Symphony No. 9 in E minor, Op. 95 (From the New World)
“From the moment Paavo Järvi raises his arms, there is something hanging in the room that can only be described with the word magic. It is inexplicable why some conductors can conjure up such a fantastic sound from an orchestra like the Berlin Philharmonic and others cannot. Järvi doesn’t actually do much, his gestures are modest, minimalist, he’s not a desk pig. But maybe that’s exactly his secret: Precisely because he is so deeply rooted in his own self, he can let go of the reins and encourage others to work true miracles.”
“You can’t have too much Dvořák in a single evening, at least not when the works in question operate at the highest level of volatility and melodic abundance like last night’s overture, concerto and symphony. “Febrile centrists” might look like an oxymoron, but that just about sums up conductor Paavo Järvi and cellist Gautier Capuçon: superlative techniques, feet firmly planted only so that the music can fly, moving dexterously through the turbulence but never pushing too hard. With the Philharmonia burning for both, this was an incandescent event.”
“Dmitri Shostakovich’s Sixth Symphony of 1939 ended the great evening: Paavo Järvi did not disappoint the audience’s expectations for precision and a sensual sound. On the contrary — he gave the event remarkable depth, summed up the developments in nowhere declining suspense. An exciting, but also highly, demanding concert evening for listeners and musicians alike!”
“The fourth symphony by Johannes Brahms, premiered in 1885 and a concentrated summit of the the romantic symphony, became a real event: rarely have I heard such gentle chastity in the soft-sounding woodwind chorales of the “Andante moderato”, so much harsh attack in the basses or in the tutti and a melody in the high strings, which sounds so emphatic again and again.”
“Järvi captured Sibelius* unique and powerful sense of time. On top, the music flowed and expanded, it looked out at the changing world around it. Underneath, the internal foundation rotated on its axis, meditating on memories and imagination. This was deeply evocative and true to Sibelius’ art”
“The rich program of the Pärnu Music Festival reflects the human concept that the conductor Paavo Järvi embodies as its guiding spirit … Under his unpretentious, collegial, always professional direction, the ensemble is thus imbued with the spirit of the Lucerne Festival Orchestra – and is already of an amazing standard.”
“The NHK Symphony Orchestra Tokyo surprise with a blazing virtuosity in Shostakovich. Chief conductor Paavo Järvi smuggles the Japanese into the top league … The strings created an ardour that connoisseurs usually ascribe to the Vienna Philharmonic. From Berlin came the bluster with which the violas probed. Moreover, in the lion’s mouth [of the Concertgebouw] the Japanese musicians produced an Amsterdam trump card …”
“At the close of Friday night’s Mostly Mozart concert in Geffen Hall, Paavo Järvi and the Festival Orchestra brought down the house with Beethoven’s Fourth Symphony — and how many times do you get to say that of anyone these days? … And let’s not waste words about the performance: it was magnificent in virtually every way. Järvi is musical down to his toes, and watching him work is almost as much fun as hearing the result.”