Amitai Pati
Ian Stones
Zoe Band
Peppie Johnson
“The evening’s great discovery: Samoan tenor Amitai Pati, who gave Don Ottavio a generous helping of passion and spine alongside his tender legato.”
Boston Globe, July 2022
Amitai Pati is one of the new lyric voices of the next generation. He is an alumnus of the Merola Opera Program in San Francisco, where he sang his first principal role as Ferrando in Così fan tutte and he’s since made a string of acclaimed debuts, including at Opéra National de Paris in their new production of Bellini’s Beatrice di Tenda staged by Peter Sellars and conducted by Mark Wigglesworth, as Don Ottavio in Don Giovanni for San Francsico Opera in Michael Cavanagh’s new production under Bertrand de Billy; as Alfredo in La traviata with Théâtre du Capitole de Toulouse under Michele Spotti; and in a return to San Francisco Opera, Tamino in Barrie Kosky’s iconic production of Die Zauberflöte conducted by Music Director Eun Sun Kim.
New productions in the 2024/25 season will see Amitai Pati debut at the Festival d’Aix-en-Provence and at Opéra National du Rhin as Alfredo (La traviata) directed Amélie Niermeyer under Christoph Koncz — a role with which he’ll debut at the Deutsche Oper, Berlin. The season opens back home at New Zealand Opera where he sings his first performances of Duca (Rigoletto) under James Judd.
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Equally sought after in concert, Amitai Pati’s recent credits include both Ferrando (Così fan tutte) and Don Ottavio (Don Giovanni) at the prestigious Tanglewood Music Festival with the Boston Symphony Orchestra under Andris Nelsons. In Europe, he made his debut at Barbican Centre under Laurence Equilbey in a rare performance of Gounod’s St François d’Assise, and subsequently joined the Insula Orchestra on tour in performances of Beethoven IX. His plans include Mozart’s Requiem with New Zealand Symphony Orchestra under Gemma New, and with Orchestre de Chambre de Paris under Hervé Niquet at the Philharmonie de Paris.
In the recording studio, Amitai Pati recently joined Golda Schultz in an all-Mozart recording for Alpha with the Kammerakademie Potsdam under Antonello Manacorda released in April 2024; and he makes a guest appearance on his brother’s — Pene Pati — second solo album for Warner. In addition, he appears on Pentatone’s recent recordings of Puccini’s Madama Butterfly and La fanciulla del West, performed by Gulbenkian Orchestra under Lawrence Foster.
Pati is a graduate of the Wales International Academy of Voice, studying under Dennis O’Neill. He was an invitee of the 2014 Young Singers Project in Salzburg, where he shared the stage with Elīna Garanča, Juan Diego Flórez, and Ludovic Tézier. He is an alumnus of the Merola Opera Program in San Francisco, where he sang his first principal role as Ferrando in Così fan tutte.
Gallery
“Amitai Pati sang gloriously as the Duke with just the right mix of bravado and self-awareness. In his role as Gilda’s lover his voice took on an elegant combination of romanticism and cynicism which helped create a fully rounded, disreputable character.”
“Pati impressed with his dashing versatility, combining strong singing with astutely sketched characters. Verdi’s Duke swaggered agreeably, Tchaikovsky’s Lensky was a slave to Slavic passion and Gounod’s Romeo elegantly lovelorn.”
“Amitai Pati as Jupiter, doubling as Apollo is vocally lithe and skillful, his direct and expressive tenor delivers Handel’s runs with ease, and he manages to suggest the god’s sensitivity as well as his entitlement.”
“New Zealand tenor Amitai Pati gamely went through the paces of integrating himself into the animation, deftly dodging all illusionary obstacles thrown in his path. Mr. Pati is a polished performer, of refined voice. With the truly elegant phrasing of his arias he managed to elevate this Tamino to plausible candidacy for redemption.”
“Amitai Pati sang sweetly and sincerely, appropriate for the naïve irresistible character the aria portrays, producing beautiful tones throughout. One hopes to hear more from him in the future.”
“High points included Amitai Pati’s sweet high tenor in ‘Una furtiva lagrima’ from Donizetti’s The Elixir of Love.”
“Taesung Lee and Amitai Pati are impeccable in their performances, especially the latter who demonstrates style and manages to make himself heard despite a modest volume.”
3the evening’s musical highlight came before the Fauré started. It was a rare performance of Charles Gounod’s Saint François d’Assise, a fine tenor, Amitai Pati, did it full justice.”
“Tenor Amitai Pati played the saint with great fervour”
“Amitai Pati plays a juvenile Tamino with clear recitatives, high voice, rich in ringing harmonies, more and more touching as the evening progresses.”
“As Prince Tamino, Amitai Pati not only makes his European debut (Nadir at the Philharmonie de Paris) but also makes a role debut here. Tenor with a silky high voice, velvety middle, his mastery of Mozartian phrasing is constant.”
“Thanks primarily to Samoan tenor, Amitai Pati, whose warm, coffee-colored voice and impassioned delivery lent some backbone to his character. A flawless legato and command of dynamics were also on display in “Dalla sua pace”.”
“The evening’s great discovery: Samoan tenor Amitai Pati, who gave Don Ottavio a generous helping of passion and spine alongside his tender legato.”
“Tenor Amitai Pati, radiating goodness, sang with elegant line as the noble Don Ottavio.”
“The able presence of Adler alumnus Amitai Pati made the fine, hapless Don Ottavio… aspirational casting.”
“Jupiter intervened before the wedding could take place, opulently sung by the tenor Amitai Pati; lascivious and arrogant, he swept Semele away in a moment of carefree mutual lust.”
“Amitai Pati performs a moving Nadir, endowed with a superb tenor voice, ideal in the role.”
“The young singer makes a sensational debut in Paris.”
“Amitai Pati, the only non-French speaker, was not out of place in the evening’s cast. Although he lacks an accent, he shares with the other singers perfectly intelligible diction that makes it unnecessary to read the surtitles.”
“Tenor Amitai Pati’s light, lyrical tenor was as well suited to a familiar aria from Friedrich von Flotow’s Martha as it was to a caressing a Franz Lehár love song”
“young tenor Amitai Pati deserves special kudos for singing Beppo’s serenade exquisitely”
“Without question, the standout artist of Pagliacci was Adler Fellow Amitai Pati, who sang Beppe’s Serenade with the lightness, grace and beauty of the great Tito Schipa. Of everyone onstage, only Pati sounded absolutely right for his part”
“New Zealand tenor Amitai Pati played Lord Cecil as smug and fully confident of his ability to align the Queen’s interests with his own”
“In smaller roles, tenor Amitai Pati as Lord Cecil…contributed exceptional portrayals”
“Other Adler Fellows made excellent smaller contributions: Amitai Pati’s sunny sound as Lord Cecil contrasted with his character’s gleeful evil”
“Amitai Pati (Pene Pati’s brother and fellow Adler Fellow) and Amina Edris (Pene Pati’s wife and fellow Adler Fellow) sounded excellent as, respectively, Matteo Borsa and Countess Ceprano, making this premiere a successful family party”