Pene Pati

Pene Pati © Simon Fowler and Parlophone records Ltd
Pene Pati © Simon Fowler and Parlophone records Ltd
Pene Pati 4000_SF Rigoletto 4 (c) Cory Weaver, SFO
Pene Pati

Pene Pati

Tenor
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Pati immediately scores with his high-placed and open sound, with a naturally sunny vocal hue…As well as the bravura numbers, there is an innate sense of style and elegance at work here.”

(5* Album Review, Opera Now, March 2022)
'Una furtiva lagrima' from L’elisir d’amore © Warner Classics
Pene Pati: La Danza (Rossini) © Pene Pati
Pene Pati: Debut Album – tenor opera arias by Verdi, Rossini, Donizetti & more! © Warner Classics
'La donna è mobile' from Rigoletto © Warner Classics
Mozart: 'Se di lauri’ from Mozart’s Mitridate © Staatsoper Unter den Linden
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Verdi- Rigoletto ‘Moving Moment’ © San Francisco Opera
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'Ah! Leve-toi soleil!' from Gounoud's Romeo et Juliette © San Francisco Opera
Romeo and Juliet Pene Patti
Gounod's Romeo and Juliet © San Francisco Opera
The Telegraph, April 2024
Operawire, February 2024
Opera Online, February 2024
San Francisco Classical Voice, November 2023
(Plateau magazine, Jordi Maddaleno, June 2023.)
La Scena Musicale, October 2023
(Toute la culture, Philipe Manoli, June 2023.)
(Toute la culture, Philipe Manoli, June 2023)
(5*, John Allison, BBC Music Magazine, May 2022)
(Zachary Woolfe, New York Times, May 2022)
(Opéra Magazine, Debut CD Diamond Award, Apr 2022)
(Toute la Culture, Apr 2022)
(Diapason, Apr 2022)
(Premiere Loge, Mar 2022)
(Concertclassic.com, Apr 2022)
(Qobuz.com, Mar 2022)
(5* Album Review, Opera Now, March 2022)
(Cincinnati Business Courier)
(All About the Arts Cincinnati)
(Forum Opéra, March 2020)
(5*, Opera Online, March 2020)
(ResMusica, March 2020)
(ConcertoNet, March 2020)
(Olyrix, March 2020)
(Le Devoir, January 2020)
(San Francisco Examiner, September 2019)
(San Francisco Classical Voice, September 2019)
(San Francisco Chronicle, September 2019)
(Cincinnati Business Courier, March 2019)
(Opera Magazine, November 2018)
(Opéra-Online, November 2018)
(Seen and Heard, November 2018)
(Scoop Culture, May 2018)
(Dominion Post, May 2018)
(New Zealand Herald, May 2018)
(Opera Wire, December 2017)
(Seen & Heard, December 2017)
(San Francisco Chronicle, December 2017)
(San Francisco Classical Voice, December 2017)
(Opera Today, June 2017)
(Bachtrack, June 2017)
(San Francisco Examiner, June 2017)
(San Francisco Chronicle, June 2017)
(Opera Magazine, February 2017)
(San Francisco Chronicle, December 2016)
(San Francisco Classical Voice, November 2016)
(Opera Magazine, September 2015)
(Seen & Heard, July 2015)
(Financial Times, July 2015)
(The Times, July 2015)
(San Francisco Chronicle)
(San Francisco Examiner)
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